| Aitor Anduaga’s Cyclones & Earthquakes: The Jesuits, Prediction, Trade, & Spanish Dominion in Cuba & the Philippines, 1850–1898 |
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Review Author: Kerby C. Alvarez |
95–99 |
| Patrick F. Campos’s The End of National Cinema: Filipino Film at the Turn of the Century |
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Review Author: Cherish Aileen A. Brillon |
99–103 |
| Lisandro E. Claudio’s Liberalism and the Postcolony: Thinking the State in 20th-Century Philippines |
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Review Author: Dominic Sy |
103–7 |
| Rina Angela P. Corpus’s Dance and Other Slippages: Critical Narratives on Women, Dance, and Art |
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Review Author: Clarissa Cecilia Mijares Ramos |
107–11 |
| Bob East’s The Neo Abu Sayyaf: Criminality in the Sulu Archipelago of the Republic of the Philippines |
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Review Author: Juhn Chris P. Espia |
111–15 |
| Talitha Espiritu’s Passionate Revolutions: The Media and the Rise and Fall of the Marcos Regime |
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Review Author: Rommel A. Curaming |
115–19 |
| Erwin S. Fernandez’s The Diplomat-Scholar: A Biography of Leon Ma. Guerrero |
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Review Author: Severo C. Madrona Jr. |
119–22 |
| Caroline S. Hau’s Elites and Ilustrados in Philippine Culture |
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Review Author: Kristine Michelle L. Santos |
122–25 |
| René B. Javellana’s Weaving Cultures: The Invention of Colonial Art and Culture in the Philippines, 1565–1850 |
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Review Author: Marya Svetlana T. Camacho |
126–29 |
| Resil B. Mojares’s Interrogations in Philippine Cultural History: The Ateneo de Manila Lectures |
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Review Author: Renato B. Lucas |
130–33 |
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